PEOPLE WITHOUT SEASONS: WHERE EMOTIONS & MEMORIES HAVE NO BORDERS

Un Yamada portrays  the timeless & space-defying nature of human stories with a kinetic performance of…

PERCUSSION PARADISE CELEBRATED HANDS WITH MAGICAL NIGHT

Percussion Paradise celebrated talent and history on the 30th September at the Plenary Hall, Kuala Lumpur Convention…

HOW DO YOU STAGE A DARK PLAY SUCH AS MACBETH FOR CHILDREN? HERE’S HOW!

“William Shakespeare wrote great stories. So why only the adults get to appreciate them?” director…

Art that Moves: Time and Tuition

This essay is the first in a new series where artists and writers reflect on…

“Langkau”: Atau Kisah Mesin Basuh Yang Bertanya

Langkau sebuah joget sinkretik, joget fizikal, atau malah joget pascamoden (jika boleh kita gelarkan) yang berlingkar…

WHY DUALITY BY THE VSC PROJECT IS A THEATRE PIECE LIKE NO OTHER?

Are you tired of watching movies with trailers that give everything away? Looking for something interesting…

4 THINGS ABOUT “YOU’RE A GOOD MAN, CHARLIE BROWN”

The curly hair of an almost bald boy in a yellow shirt and the always…

What My First Site-Specific Performance Experience was Like

As I entered the auditorium at Wisma MCA, Officers 1, 2, 3 and 4 were…

“The Human Voice”: Regrets? A Few. But Then Again, Too Few to Mention

The Human Voice at Loft 29 on the closing weekend of George Town Festival marks the first collaboration…

AIR, ANGIN & RUMAH KEBUDAYAAN: SPIRITUALITY IN PERFORMING ARTS TRADITIONS

Last Sunday I listened to Eddin Khoo, Jo Kukathas and Aidil Johan talk about the importance of performing arts to…

HERE’S WHY MALAYSIAN SCHOOLS NEED PERFORMING ARTS IN THEIR CURRICULUM

Conventional academic discipline does not necessarily nurture confidence and creativity in children. The answer is…

OMAR ALI’S KANDANG, A REMINDER THAT NO ONE IS SAFE IN AN AUTOCRACY

Some of the most exciting work I’ve seen in the past year has been in…