Hidup, Ketaksamaan dan Teater

Khamis malam lepas aku dijemput untuk menghadiri pra-tonton teater IQ.Rock terbitan Anomalist Production. Teater IQ.Rock akan…

Third Time’s Not Always A Charm

If you haven’t heard of Teater Modular, you must have not been around the theatre scene…

Version 2020: Losing Sight

Recently I caught Version 2020, a generative play about Vision 2020 at Five Arts Centre’s…

THE HUMAN EXHIBIT: MENTAL HEALTH

When I heard that Ian Nathaniel’s I’M ENTERTAINMENT was doing an exhibit style production on…

THE BUTTERFLY EFFECT

Five Arts Centre “Tiga” programme returned last week in collaboration with Asterik Anak Seni, produced…

The Cruelty and Absurdity of ‘Losertown’

There is clutter everywhere. The dark foyer and the performance space are decorated with dim…

WHY KL NEEDS SOME KELAS TAMBAHAN

Teater Kelas Tambahan (which means Additional School Classes) happened last weekend at DPAC. As one…

OCD: A MENTAL HEALTH AWARENESS PLAY DONE RIGHT

Disorienting. Dizzying. Disorder. KLPAC’s latest production OCD puts on a show strange to us but…

QUEENS! A REVIEW OF ‘MEN IN HEELS’

Part of The Actor’s Studio’s 30th anniversary, a two-year celebration where 30 productions will be…

Does the Earth Really Dance?

I am skeptical about dances that try to advance environmental causes. I have tried to…

The Line Between Moving and Not Moving: A Review of ‘Dash’

REVIEW BY SEE TSHIUNG HAN Our world is crisscrossed by lines. In 2016, a group…

KENDURI KENDARA, NOT YOUR ORDINARY THEATRE PIECE BUT STILL RELATABLE

As you enter Makespace at Quill City Mall, you’ll soon realize that director Azzad Mahdzir’s…