The stories are not given any justice to the performers, eventhough it was THEIR story. There were missed opportunities in making their stories more effective but still truthful by heightening parts of the stories. For example, a character who felt that she got robbed could have an element that could heighten that moment, instead of it being flat and dismissed, or even a character who was blank when she got on stage for her audition, that feeling that the character experienced was not fully delivered. The stories have potential, but honestly more work needs to be put into them, and could be better delivered with better angles and performance.

Khamis malam lepas aku dijemput untuk menghadiri pra-tonton teater IQ.Rock terbitan Anomalist Production. Teater IQ.Rock akan dipentaskan bermula esok malam di DPAC (Damansara Performing Arts Centre). Sepanjang 4 hari, teater akan dipentaskan sebanyak 6 kali – 2 pementasan siang (matinee) dan 4 pementasan malam. Reviu penuh di The Daily Seni

If you haven’t heard of Teater Modular, you must have not been around the theatre scene this past year. If you haven’t catch any of the three Teater Modular, then you have been missing out on the most neoteric entry to the Malay theatre scene, and to contemporary theatre as a whole – Ridhwan Saidi and his playlets.   Full review on The Daily Seni