Art that Moves: Time and Tuition

This essay is the first in a new series where artists and writers reflect on…

“Langkau”: Atau Kisah Mesin Basuh Yang Bertanya

Langkau sebuah joget sinkretik, joget fizikal, atau malah joget pascamoden (jika boleh kita gelarkan) yang berlingkar…

WHY DUALITY BY THE VSC PROJECT IS A THEATRE PIECE LIKE NO OTHER?

Are you tired of watching movies with trailers that give everything away? Looking for something interesting…

4 THINGS ABOUT “YOU’RE A GOOD MAN, CHARLIE BROWN”

The curly hair of an almost bald boy in a yellow shirt and the always…

What My First Site-Specific Performance Experience was Like

As I entered the auditorium at Wisma MCA, Officers 1, 2, 3 and 4 were…

“The Human Voice”: Regrets? A Few. But Then Again, Too Few to Mention

The Human Voice at Loft 29 on the closing weekend of George Town Festival marks the first collaboration…

AIR, ANGIN & RUMAH KEBUDAYAAN: SPIRITUALITY IN PERFORMING ARTS TRADITIONS

Last Sunday I listened to Eddin Khoo, Jo Kukathas and Aidil Johan talk about the importance of performing arts to…